SAVE THE DATE

The modestly scaled solo show, PRINTS 1987 - 2016, which has just finished its run at Tacit Contemporary Art (see previous post) was a prelude to a larger, more extensive exhibition scheduled for 29 November - 17 December next year. Spanning four of Tacit's gallery spaces, it will focus on thirty years of my printmaking practice. The gallery has already produced these Keep the Date flyers.

Left - right: Keith Lawrence and Shane Jones showing off the newly printed Keep the Date flyers
prior to the opening of PRINTS 1987 - 2016

Something for your 2017 diaries

PRINTS 1987 - 2016: Installation views

PRINTS 1987 - 2016, my solo show at Tacit Contemporary Art, closed on Sunday afternoon, October 2. Thanks to the curator, TJ Bateson, Tacit's director, Keith Lawrence and all who came during the show's run, it was a fantastic experience. It was heartening to learn that the show's penultimate day, which coincided with the AFL Grand Final (to the initiated, an Australian Rules football match on which most inhabitants of the State of Victoria appear to be fixated, and which even rates a public holiday) was one of the gallery's busiest! 

The following installation views were taken by Tim Gresham. Click on individual images for a clearer view.

PRINTS 1987 - 2016: Opening Night

Thank you so very much to everyone who came to the opening night of PRINTS 1987 - 2016 at Tacit Contemporary Art, including those who travelled long distances in less than perfect weather! It was a wonderful turnout and the presence of so many friends, both old and new, made my evening complete. 

Huge thanks also to curator TJ Bateson and Keith Lawrence, director of Tacit Contemporary Art, for making this show possible.

For those who couldn't make it, and don't live in another state, territory or country, all is not lost. The exhibition continues until 2 October. Full details are in my previous post.

L - R: Shane Jones, Tim Gresham, Julie Keating myself and Louise Blyton

L - R, foreground: Beverley and Robert Clinch, Julia Boros and Tim Gresham. (Photo: Shane Jones).

Tess Baldessin, Angie Black, myself and Caroline Durre. (Photo credit: Shane Jones).

One of the Paparazzi caught at his own game! Second from left (with camera): Shane Jones.
Also in this shot: Tess Baldessin, Nora Sumberg, Peter Lancaster, Irene Wellm and far right, Bill Reid.
(Photo credit: Deborah Bradbury)

Shane Jones photographs an unseen Deborah Bradbury, as she photographs him. (Photo credit: Deborah Bradbury)

With Loris Button. (Photo credit: Deborah Bradbury)

With Lisa Sassella and Bill Reid. (Photo credit: Shane Jones). 

Bill Reid and Deborah Bradbury. Deborah owns a portrait of Bill, which my partner Shane painted in 1995 and which
was a finalist in the 1998 Doug Moran Portrait Prize. (Photo credit: Shane Jones).

Speaking of the Doug Moran, pictured above are two subjects of works that were recently selected for this
year's semi-finals. On the left is writer Lucy Sussex, the subject of Lucy by Trudi Canavan,
and Shane Jones, whose Self Portrait in a Blue Sweater has also made the first round of judging.
My works have appeared on the front covers of three of Lucy's books: She's Fantastical (1995, an anthology
she co-edited with Judith Buckrich) A Tour Guide in Utopia (2005)
and Matilda Told Such Dreadful Lies: The Essential Lucy Sussex (2011)

It was a very lively opening. Among the crowd in this photograph are Marguerite Brown, General Manager of the
Print Council of Australia, Peter Lancaster, Tess Baldessin, Loris Button, Heather Shimmen and Nora Sumberg.
Photo credit: Shane Jones

Left - right: Nora Sumberg, Irene Wellm and Louise Blyton. (Photo credit: Shane Jones).

With my partner, Shane Jones. The daphne I'm carrying was grown and presented to me by Nora Sumberg.
It's aroma was intoxicating. Nora was one of several artists present at the opening who are also talented
gardeners. Would that I could number myself among them! (Photo credit: Deborah Bradbury).

Opening tonight: PRINTS 1987 - 2016

Great eggfly winged woman, 2011, hand coloured linocut, 32 x 32 cm. Photo credit: Tim Gresham.

Great eggfly winged woman, 2011 (pictured above) is one of seventeen works selected by curator TJ Bateson for my solo exhibition, PRINTS 1987 - 2016, which opens this evening.

Join us for a celebratory beverage from 6.30 - 8 pm at:

Tacit Contemporary Art

312 Johnston Street,

Abbotsford, Vic, 3067

tacitart.com.au

Phone: 0423 323 1888

Hours: Wednesday - Friday 11 am - 6 pm
Saturday - Sunday 11 - 5 pm

For those who can't make it tonight, PRINTS 1987 - 2016 runs until 2 October.

TJ Bateson installing the first prints on Sunday, 11 September. Works left - right: Dorothy Parker, 1991, woodcut with
chine colle, Snake Charmer, 1996, linocut and Mirror Mirror, 1996, linocut. Photo credit: Keith Lawrence. 

Going Solo

I have a small solo show opening soon. You are warmly invited to:

Prints 1987 - 2016

Deborah Klein

14 September- 2 October

OPENING NIGHT:

Wednesday 14 September 6.30 - 8 pm

A mini-survey show curated by TJ Bateson, the exhibition spans almost three decades of my relief prints, including some rarely seen early works.

Tacit Contemporary Art

312 Johnston Street,

Abbotsford, Vic, 3067

tacitart.com.au

Phone: 0423 323 1888

Hours: Wednesday - Friday 11 am - 6 pm
Saturday - Sunday 11 - 5 pm

Below: Selecting work for an exhibition is a serious business, as the faces of my two companions bear witness. TJ Bateson (centre) curator of the show and Tacit Contemporary Art's director, Keith Lawrence (right) and I snapped by Shane Jones during their recent visit to the Ballarat studio.

Below: TJ Bateson and Keith Lawrence, still deep in thought as the selection process continues. Shane Jones is on the left lending moral support.

Below: The smiles on our faces reflect what a pleasant and productive visit it was. Photo by Shane Jones.